While the craft remains faultless, the effect becomes like walking through a beautiful gallery, with each painting looking lovely but with little connection to the one before or after.

~ Amber Wilkinson -

While the craft remains faultless, the effect becomes like walking through a beautiful gallery, with each painting looking lovely but with little connection to the one before or after.

~ Amber Wilkinson -

Davies looks at questions of the soul, family, war, creativity and how to be true to yourself - all in stunningly beautiful images.

~ Anne-Katrin Titze -

Davies looks at questions of the soul, family, war, creativity and how to be true to yourself - all in stunningly beautiful images.

~ Anne-Katrin Titze -

When Davies says “The world was young and oh, how we laughed,” he sounds like Death waiting to take it all away.

~ Val Kermode -

When Davies says “The world was young and oh, how we laughed,” he sounds like Death waiting to take it all away.

~ Val Kermode -

This is a long, slow and supremely well-written film.

~ Angus Wolfe Murray -

This is a long, slow and supremely well-written film.

~ Angus Wolfe Murray -

A rich tapestry, which delves into how our reminiscences work.

~ Amber Wilkinson -

A rich tapestry, which delves into how our reminiscences work.

~ Amber Wilkinson -

Rachel Weisz makes it her own, delivering a powerful, raw performance that is undoubtedly Oscar material.

~ Jennie Kermode -

Rachel Weisz makes it her own, delivering a powerful, raw performance that is undoubtedly Oscar material.

~ Jennie Kermode -

Running alongside the film's more elegiac sweep is a cut-glass wit.

~ Amber Wilkinson -

Running alongside the film's more elegiac sweep is a cut-glass wit.

~ Amber Wilkinson -